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From Blasters To Blood
Tony Peyser
Mirror contributing writer
Given the unrivaled sibling rivalry between Dave and Phil Alvin,
it’s impressive The Blasters got it together to even briefly get back
together. The live album document of this event is Trouble Bound. If
you weren’t aware of these decades-long bad feelings, you wouldn’t
have a clue as the boys rip their way through the Blasters catalogue.
“So Long Baby Goodbye” goes down like a double shot from a dirty glass
and “American Music” sizzles like a cold steak tossed into a red-hot
frying pan. The Blasters still rock and rule.
“Honky Tonk Maniac From Mars” is about a horny, hard-drinking alien
with six hands who’s so unfamiliar with our earthly ways that he hits
on a jukebox. This nutty song is on Jason Ringenberg’s All Over
Creation. The longtime Scorchers front man is now a sure-footed solo
artist. The CD feels like something classic and dangerous, such as
taking a spin in James Dean’s car. (The last three words of that last
sentence are the title of track five.)
Speaking of dangerous, Dangerous Darryl and the Mojo Workers play
down and dirty electric blues. “Playboy” sounds like an old Isley
Brothers song that rappers today would be sampling. While Darryl looks
kinda like Arthur Lee back when his band Love owned The Sunset Strip
in the 1960s, Blue Baby sounds like Mr. Jimi Hendrix from that same
era. L.A.-based Darryl and his Mojo Workers have got attitude and soul
to burn.
In Roots Of Our Nature, Norton Buffalo, crackerjack harmonica
player for Steve Miller, makes a third album with first rate guitar
master, Roy Rogers. “Deny And Down The Distance” tells the story of a
guy who ran out on everything and finds himself surrounded by fellas
in the same boat: “They got barrooms full of singers who’ve all
misplaced their bands/Talkin’ bout their struggles and their five-year
plans.” (Most musicians I know don’t have five-day plans.) Another
lost soul surfaces in the third track who’s swept all his problems
under his rug —- including (literally) himself. Buffalo and Rogers are
a two-headed, four-armed animal genetically engineered to play
harmonica and guitar at the same time. Call them The Creature From The
Blues Lagoon.
Finally, it takes no small amount of nerve to sing a famous
singer’s song. Which means it’s an act of colossal chutzpah to cover
an entire album —- but that’s just what New York’s Mary Lee’s Corvette
did by recording every note of Bob Dylan’s Blood On The Tracks. This
one-night only, live concert was done at the wonderfully named Arlene
Grocery in New York City. Mary Lee (whose last name is Kortes) hadn’t
even planned to make a tape of the show but a technician luckily did.
It’s a gripping, passionate performance. Mary Lee is in the studio now
to make an album with one of the best producers around, Eric “Roscoe”
Ambel. (Their first joint effort was 1999’s True Lovers Of Adventure.)
I can’t wait to hear the result of their next collaboration and you
have a treat in store when you hear Mary Lee’s heartfelt, stunning
version of this album about love on the rocks. And if you ever felt
that girls can’t sing Dylan as good as guys, you’ll never entertain
that thought again.
Miles Of Music has Trouble Bound for $15, All Over Creation for $14
and Blood On The Tracks for $16.50. Amazon has Roots Of Our Nature for
$13 and CDBaby has Blue Baby for $15.
* The Goofy Band Name Of The Week is …Polkacide. |
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