"At Middleton" Star Vera Farmiga On The Demands As Mother, Wife & Actor

Thursday, 20 Feb 2014, 8:10:00 AM

Beverly Cohn

Vera Farmiga and Andy Garcia star in the film “At Middleton.”
Courtesy Photo
Vera Farmiga and Andy Garcia star in the film “At Middleton.”

Vera Farmiga is a familiar on-screen personality and has racked up a

number of memorable roles in such films as “The Departed,” “Source

Code,” “Goats,” “Safe House,” “The Conjuring,” and “Up in the Air,”

which earned her both a BAFTA and Academy Award nominations for Actress

in a Supporting Role.  

For her performance in the television series “Bates Motel,” Farmiga

was nominated for an Emmy as Outstanding Lead Actress in a Drama Series.

Her latest film, “At Middleton,” in which she co-stars with Andy

Garcia, garnered her the Best Actress award from the Boston Society of

Film Critics. Shot on the campus of Washington State University, the

story is about George (Garcia) and her character Edith who are two

parents that bring their respective children for a day of orientation at

Middleton College. Edith is an off-the-wall character who flies by the

seat of her pants.  She lures George, a strait-laced, bow-tie wearing

cardiac surgeon, away from the orientation group into a day filled with

unexpected adventures and a strong attraction that must not be acted


Co-written by Glenn German and Adam Rodgers, who also directed, the

supporting cast includes Taissa Farmiga (Audrey), Spencer Lofranco

(Conrad), Nicholas Braun (Justin), Mirjana Jokovic (Professor Riley),

Peter Riegert (Boneyard), and Tom Skerritt as Dr. Roland Emerson.

Farmiga recently sat down with a select group of journalists to discuss

“At Middleton,” along with personal revelations about family and career


The following interview has been edited for content and continuity for print purposes.

How did you get attached to the script?

Vera: A Fed Ex truck delivered the script (laughter) with an offer

saying that Andy Garcia was attached to play George and I think there

was some sort of a deadline, like a 48-hour time limit to accept the

offer, which I think was a really savvy and ballsy way of saying this is

a good script and if you don’t like it, we’ll find someone else. Just

out of the gate, I read it and knew this was a role I could run with.

The characterizations were so vivid – they were like three-dimensional


What in particular did you like about Edith?

Vera: I just wanted to have fun. I grew up watching Carol Burnett do

her shtick and I was aching to do something that would allow me to just

have fun. At the same time, when I first read the script, I understood

why my mom cried when she filled out the loan documents that sent me off

to the Syracuse University School of Performing Arts (laughter).

How did you relate to your film daughter (Taissa Farmiga) going off to college?

Vera: I have a kid who just turned five and he’s not even in

kindergarten yet and the pangs of withdrawal and letting him go even at

the ripe old age of five, wondering if I’ve girded him with enough to

send him on his way. He doesn’t even wave when he gets into the school

bus. Anyway, it is a really a touching script and I have had tremendous

respect for Andy ever since seeing “When A Man Loves a Woman.” His

performance really lingered with me. I had seen him in “Godfather” (III)

and thought he was a soulful dude.  At that point, I didn’t anticipate

becoming an actress. I wanted to be an ophthalmologist but after seeing

that film, I thought if only I could find a man to love me with that

sort of tenderness, and patience, and willingness, and commitment. And I

did (laughter). The script is about encounters that we all have. At

some point in our lives, that flame dwindles or runs dry and it’s about

these encounters with other human beings that makes that flame ignite

and my husband was that for me. Then my children became that for me as

well.  Anyway, the script resonated with me profoundly from this place

of identity and parenting.

Did you have rehearsals before shooting?

Vera: I put a kibosh on that immediately. At that time, I had a one-

and a three-year-old and had just come from shooting “The Conjuring.” I

was depleted and terrorized by researching negative mysticism and I just

wanted to have some fun. Then I met Andy and he said, “So should we get

together?” I remember meeting him and recognizing that sort of sense of

whimsy. When you meet Andy, he’s so debonair and is really a first

class guy – he’s just goodness. In my experience with him, he’s someone

who walks by your side and you can call him a friend immediately.

How was it working with your sister Taissa?

Vera: Having Taissa play my daughter was so relevant to who we are to

each other and who we have been to each other. She’s a surrogate

daughter of mine. I’d like to think that I’ve modeled for her what it

means to take risks and to be optimistic and what’s scary and what’s

not. It was a time in her life where she was just turning eighteen and

just had a certain measure of success with “Higher Ground” and was given

so much opportunity. I could see her fluttering away from me and at the

same time needing me, which she still does. She was at the Golden

Globes and I was on the couch watching her and she’s texting me, “Who’s

Warren Beatty? (laughter). I’ve Googled him. I have a meeting with him

at 8:30 so can you give me the low down?”  

Any improvisations with Andy, or did you pretty much stick to the script?

Vera: Andy is a jazz pianist and improvises. I’m actually more like

the character of George just naturally.  Every detail is in each scene,

almost to every gesture, so I can’t take any credit if any of our scenes

look like they were improvised. There’s carefreeness in the script and

as far as all that chemistry goes, I’d like to take credit for it but

for me it’s 1 percent willingness and 99 percent in the writing.

Everything was on the written page and they (Adam Rodgers & Glenn

German) had the hardest job. They start off with a blank page and

without that great writing, you’d just be powerless as an actor. It was a

veritable playground. You just had to put on your grubbies, roll up

your sleeves, and indulge. Sure. Improvisation came at a point. I would

say there was room for it, but we didn’t rely on it because it was

solidly scripted. Then there were things like, for example, the acting

teacher (Mirjana Jokovic as Professor Riley) who led the class through

sort of a physical relaxation, but that’s Adam’s direction as well.

What is the biggest challenge in developing a character?

Vera: When you’re establishing chemistry, and whimsy, and adventure,

you have to open yourself up and be present and oftentimes, it feels

like you just can’t repeat moments and you have to have newness.

What was your inspiration for all your comedic moments as Edith?

Vera: That’s a legitimate question. All these physical comedians,

like Lucille Ball, have delighted me. I think the great contradiction in

Edith is the first profound things she says. Here’s this energetic,

carefree, passionate woman and yet the first bit of truth she admits to

is that she’s profoundly unhappy, which is a dichotomy between the

carefree behavior she exhibits with George and the hampered life she has

chosen to live.   

Were there any moments that didn’t work during the shoot?

Vera: I have incredible short-term memory (laughter). You know when

you’re breast-feeding a child, you don’t have the same retention as you

do when you’re not (laughter). So, yes, there were plenty of inept

moments where I felt if I could just have one more day, it could have

been better, deeper work so there were a lot of insecure moments.   I

especially tried to give options in tone, and that was always something I

relied heavily on Adam for – to reign me in because I’ll go big. I’m

not afraid to go big. You give me an inch and I’ll take a yard


What was your process when you went to college?

Vera: Oh God. I was such a square in college. I actually never went

to my own orientation. Once I was enrolled, there was an orientation,

but way in advance I never went to Syracuse. I did go to Elizabethtown

College with my mom when I thought I was going to be a music therapist

and then to Villanova College when I thought I was going to be an

optometrist (laughs).

At what point did you decide to study acting?

Vera: In my senior year, I decided to take the fork in the road. I

was playing varsity soccer and was benched and had my heart broken the

same week and didn’t want to sit there forlorn. One of my best friends

encouraged me to audition for the school play and I got the lead role.

From there, I was encouraged to do.

If you didn’t become an actor, what other profession would not have appealed to you?

Vera: I would not have worked as an air conditioner technician (laughter).  

You’re a very successful working actor. What are the biggest challenges in juggling career with being a mother and a wife?

Vera: It’s flat out challenging. I think of myself as devoting 100

percent to my role as wife and mother, which is the most demanding, the

most challenging, and the most gratifying role I could ever play. Right

now, I consider myself to be a full-time mom and so career, after having

kids, is second but sometimes they come second and sometimes I feel,

because of my commitment to maternity and “wifery,” I’m not as prepared

as I could be, and feel like I just wing it these days. But, I wing it

to the best of my ability (laughs). It deepens my work, but it’s just

not the same.

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